Dorothy Bryant

Pushing Eighty —
Still Pushing Books

by

Dorothy Bryant


(View the PDF version of
"Pushing Eighty-Still Pushing Books")



      Slipping into my eighth decade feels like watching reruns or remakes—of styles in clothing and politicians, of economic booms and busts, of sex scandals and wars—tacky imitations of the original versions, which were nothing to celebrate. But some reruns are an interesting mix of worse and better—as in the case of books. I don’t mean the quality of writing (let’s not go there!), but access to books.

      When I was a child in San Francisco, I never saw a bookstore. I knew a store called Brentano’s existed within an elegant department store on the upscale north side of Market Street, where rich people bought hardbound books for as much as $2 to $4—enough to feed our family for a week. At school, textbooks were issued, carefully covered with butcher paper, protected with our lives, and returned at the end of the term. The only books owned at my home were a dictionary and a Complete Shakespeare (in unreadable tiny type on tissue thin paper) each obtained by sending a dollar bill with a White King box top. (Today it seems wonderful to me that the literary aspirations of working class immigrants were considered strong enough to use in promoting laundry soap.)

      My sole source of books was the San Francisco Public Library, Mission Branch, which became my church, where I worshipped almost daily. Understand, now: there were no paperback books. Not in drugstores near the magazines and comic books, not at the local Safeway (which wasn’t much bigger than the mom-and-pop on the corner in those days). Nowhere. Non-existent.

      Paperback books first appeared along with returning veterans of World War II. They were G. I. issue—thin, oblong reprints on newsprint paper of mysteries or American classics, frayed and ragged from being carried in duffle bags. They must have inspired the 4 x 7 inch “pocketbooks,” average price a quarter, that began to appear on wire racks in drugstores. Printed on cheap paper, they tended to turn brown and fall apart after the first or second reading. Their lurid covers, usually featuring a semi-nude woman, might open upon a formulaic detective story (cheap writer) or Wuthering Heights (an even cheaper, dead writer, out of copyright).

      Paperback books were held in contempt until the mid-1950s, when creative booksellers transcended the snobs and opened stores (like City Lights, Keplers, and Cody’s Books in the Bay Area) that sold and sometimes even published paperbacks—some of which might have been called obscene (Ginsburg’s Howl), but never trashy. Publishers soon saw potential profit in printing high quality books in paperback, like classics in the Signet editions. What became known as the Paperback Revolution meant that anyone could afford to build a private, if perishable, library. Or carry a book of poems in her purse. Or pass on a discovery to someone without worrying about loss—it could always been cheaply replaced. Or require students to buy a dozen classics for a lit class. Books long out of print and discarded from libraries reappeared in paperback. It’s hard to convey how exciting this was, or how avidly I acquired these cheap gems.

      Along with the Paperback Revolution came used bookstores all over, even in the Mission District. The used bookstores also carried hardback remainders (from overly optimistic printings), often at $1, plus books they purchased from customers for cash or trade. Such stores might have long been common in New York, but in my 1950s and 1960s Bay Area world, they suddenly appeared wherever rents were low (and slowly disappeared as rents rose.)

      Publishers adjusted, made changes. My first novel (1972), for instance, came out in the “proper” way, first in hardback, later in one of those pulpy, luridly-covered “mass” paperbacks (which, if they didn’t sell, were simply tossed by the retailer, who ripped off the cover and sent it back to the publisher for refund). My second (1976) was the first novel Random House had ever published simultaneously in hardback and “quality” paperback, basically the same printing, same paper, same cover art on a soft cover instead of dust jacket on cloth, upping the cost of the paperback, which still remained about half the price of the clothbound version.

      Suddenly seeing books as a viable sales product, corporate chain bookstores appeared—big (Crown, Waldenbooks), then bigger (Barnes and Noble, Borders). The Barnes and Noble that sprang up in the mall off the freeway near a rural town might be the first bookstore that many Americans had ever seen.

      When one of these well-funded giants, discounting best sellers, muscled into an urban center, the independent book stores cried foul. But, again, effects were mixed. It was not until the 1970s that the independents, searching desperately to hold their customers, began to offer regular series of readings and workshops by authors. It was not until the 1980s that the independents, following the example set by the big chains, began to provide a chair here, a bench there, for browsers.

      Yet it turns out that the corporate view of the bookstores as a profitable business was naive; owners of independent bookstores always knew survival was a daily struggle—for obvious reasons. What other retail outlet sells products that are, each single one, different from every other one, and, furthermore, must maintain selected inventory while daily adding new, different products created at the rate of tens of thousands every year? None. What manufacturer of any product allows a retailer to return quite satisfactory but unsold items for full credit? None, except publishers. (The returns policy was a “temporary” emergency expedient begun during the Great Depression. The emergency, it would seem, has never ended.)

      Yet, throughout the 1970s and 1980s, bookstores, corporate and independent, did pretty well. Until the internet. I’m not referring to the fact that the internet has changed most people’s reading habits (which it has). I mean that ordering a book online, any book, new or used, from a source 10 or 10,000 miles away, is so much easier than locating it in a bookstore. Online ordering is a blessing that may be the final straw sinking bookstores, big and small, here and there, every day.

      What are we losing? Not author readings and signings, which can and do continue in schools, churches, and other public venues. What we are losing are the casual encounters with other readers browsing, say, the philosophy section, or the casual conversations with some of the fascinating people who work in bookstores.

      Worst of all, as we gain easier availability of books we want to read, we are losing availability of the books we don’t know we want to read—we are losing the happy accidents of random browsing.

      So, for browsing, it may be back to the library, which is where I started. But now the original version feels inferior to the more recent one—because in bookstores I could sniff and taste an abundance of new books, in skimpy supply for browsing at the public library. Furthermore, today’s library is no longer my church, ruled by those fierce priestesses hissing “Shhhh!” The staff may be the noisiest people there. And those pesky computers keep elbowing aside bookshelves and chairs.

      Are they a disaster or a marvelous trade-off or both? I read confusing reports of Google’s plan to digitize books. This could mean, we’re told, that even tiny, small-town libraries will soon have access to a world library almost beyond imagination—wonderful for readers. It could erode copyright—not so wonderful for writers. Next might be the same access through a personal computer at home. Eventually any choice from this universal library might even be delivered to any reader at the push of a button on a hand-held screen. Somehow, that final, wonderful innovation leaves me cold.

      Whatever happens, it’s unlikely that I’ll push many years past eighty, so I can relax and continue to read ink and smell glue on bound paper I can touch. That’s a comfort that will help me to make my departure with no more regret than we felt in the old movie houses of my childhood, when we stood up, saying, “This is where I came in.”

     




Dorothy Bryant began writing in 1960 and has since published a dozen books of fiction and nonfiction, including Ella Price’s Journal; Writing a Novel; A Day in San Francisco; Myths to Lie By; and Anita, Anita. Her many plays have been performed in the Bay Area and beyond. In 2009 she was the recipient of the Northern California Book Reviewers’ Fred Cody Award, a lifetime achievement award honoring a Northern California literary figure with an important body of work.




Comments

jude goldstein
31 Jan 2010, 07:59
I just read "The Kin of Ata" yesterday
for the first time - a first edition
loaned to me by a california friend who
now lives near me in western, pa. the
book left me softened and more open.
thank you!
i grew up spending saturdays at
scribner's book shop in manhattan while
my mother was "having her hair done"
around the corner. then she'd buy me
a book. i was always at the library.
and in 1970 my mother began working at
harper & row publishers and for 25 years
my family was gifted with books and
books and books. what a glorious time
and memory it is. i visit the library
every friday and go home with a small
bundle in my arms. my one regret about
living is that when i leave this life
there will still be SO many books i
haven't read. be well, dorothy. jude
Joan Cannon
02 Sep 2009, 14:33
Loved your piece, and can't relate to some of it because we had books, but no nearby library. I had a grandfather over 300 miles away who thought it his duty to provide me with "pocket money." When he'd send me a srisp dollar bill, I'd spend it at Wanamaker's, two blocks away, on a hard cover book. Over and over. Wasn't that a wonderful time! Now my grands know to give me a Barnes & Noble of Amazon gift card, but I don't have room to store new books, which means giving the old ones away. I hate making choices.
Thanks for such pleasant nostalgia.
Elizabeth O'Herlihey
29 Jul 2009, 07:55
I love these words: "Worst of all, ........ we are losing availability of the books we don’t know we want to read—we are losing the happy accidents of random browsing." This is exactly how I feel about losing access to card catalogs in libraries. Computer databases are too exact and you don't get to stumble upon something you didn't know you wanted to read or explore but there it is and you embrace it. Thank you for this insight.

Misha Herwin
29 Jul 2009, 07:04
My Dad's slim little war time paperbacks, designed to fit into a soldier's pocket, were an important part of my childhood. They introduced me to writers I would never have encountered, many of whom were from other countries and other cultures.

As for books on screen, how can you read those in bed?
Marie Long
25 Jul 2009, 06:29
I too will never forget The Kin of Ata Are Waiting For You. Have deeply enjoyed every book you have written. Thank you, Dorothy Bryant. At the Oakland Public Library I used to think it was so cool to take out a book and find it was stamped out before I was born, say in the early 40s or the 30s, wondering what that person was like.
Susan
22 Jul 2009, 19:05
I'm glad for this opportunity to thank you for The Kin of Ata are Waiting for You, which was filled with images that have stayed with me for many, many years. I enjoyed this essay as well, and share the love of books, libraries and bookstores, so I look forward to settling in with still-real pages and exploring more of your work. Thanks again for sharing your vision with your readers, Dorothy.
allison
21 Jul 2009, 22:22
The memories are priceless--and let's look on the bright side: As I said to my husband the other day, "We live in an Age where books are a drug on the market!" What would our parents and grandparents thought about that?

And no, I don't think bookstores and libraries will disappear. We love to be among others like ourselves. Reading may be a solitary occupation, but many of us can be fussy about where we prefer to do it!
Jeanne Sjovall
21 Jul 2009, 18:01
My father, a truck driver, brought home Penguin Classic paperbacks in the early 40's that "fell off the truck." I remember so well when he gave me a copy of Shakespeare's Five Great Tragedies. I was 10 at the time. My fifth grade teacher asked the class if anyone knew who Shakespeare was. I raised my hand and much to her surprise, rattled off the titles of five of his tragedies and answereed her questions about the "stories." I had read all five. This was a working class neighborhood school. Neither of my parents had gone beyond the 8th grade. This intro to the Bard opened up a whole new world. And, I suspect, The Penguin Classics did that for many others like me as well.
dohrn zachai
06 Jul 2009, 16:51
am delighted to read that I am not the only one loving the feel, smell and flexibility involved with reading an actual book - I would donate to persimmon tree if this tree dropped its computor leaves and became a rooted tree bearing book leaves
Seema
02 Jul 2009, 19:35
Oh, I'm so glad I found Persimmon Tree! Thank you for your beautiful essay. My first book(s) were the Honey Bunch series....
Betty Coven
01 Jul 2009, 12:13
Thanks for the look back as I too am strolling leisurely toward my eightieth decade. I don't remember book stores or libraries but I do I remember my first love - The Bobbsey Twins. I don't know where the books came from or where they went. Apparently I had a book fairy at my house. I loved those book and reread many of them. Then I grew up a bit and Nancy Drew entered my life. To imagine a girl as brave as she was heady stuff. I think it influenced me to try new things all of my life. Ah books, a never ending source of pleasure. And now, at my time of life, I wrote one myself - "The Gods of Canaan"
Joanne Udo Schmitt
29 Jun 2009, 10:58
My instructor,editor and author,Zelda Lockhart introduced me to the Persimmontree sometime in early June, this year. I have been writing journals, essays and pieces for the church newsletters, etc. since 1973,in Japanese and English. I was given a certificate to teach English language by Ministry of Education,Japanese Government in 1946, after I completed my maajor in English Lit. Japan was engaged in war since 1930 period to 1945. I loved to write both in Japanese and English since high school years. I read most of the translated classicsin Chinese,Greek,German,English, Russian and American while growing up. I loved to browse around in old used book store in Japan. Now,at this late date I finally clicked open this page and was delightfully surprised to find the richness of people reading Persimmontree magazine! What a joy to get to know you people! Dorothy, you have given me a great encouragement to keep on trying!
I loved the way you described your life in San Francisco, the city I dearly love to revisit. I am really thankful for becoming a part of this wonderful magazine! I will be 86 in March 2010.
Ruth Chambers
26 Jun 2009, 05:29
Ah, someone who remembers the pocketbook. I grew up in a town without a library. My family didn't value books, but I hungered for them. A family I knew loaned me a copy of GIRL OF THE LIMBERLOST. I was in love! When I was older I saw my first pocketbook in a drugstore. I bought it and read over and over the page where a man saw his girlfriend her her p.j.'s. How daring! Thanks for sharing your experiences. I look forward to reading your books. I live in a town with, not only a wonderful independent bookstore, but a library as well!
Jacquelyn Marie
18 Jun 2009, 17:49
Loved reading your article about books, libraries, publishers. I still have the 1971 version of the Comforter with the butterfly on the white cover.
Many years ago at UCB Women's Center Library, you told me it was probably worth something. I love it as the beginnings of women's writing and publishing in the 70's. I resonate with all that you say as a writer, poet, publisher (way back) and librarian.
Phyllis Mattson
17 Jun 2009, 20:40
Hi Dorothy, I liked your piece. Like you, I used the Mission library--but I was learning English as an immigrant from Europe. I found books that I had read in German (Dr. Doolittle is what I remember most), and with those books I became fluent in English.
I think you came to Mary Jane Moffats adult ed writing classes, and I read a couple of your books, not those mentioned in the bio, and liked them a lot, even if I can't remember the titles, except the Confessions of...
Rochelle Cashdan
17 Jun 2009, 15:22
Jan has already said it for me but as I live in Mexico I'd like to mention the virtues of daily.lit com. By signing up there, I'm now reading Joyce's Dubliners day by day (87 installments), just the thing for this reader-writer. When I'm in the US, I do buy books but, because of the weight, end up giving away several I would like to keep.
Grace Cooper
17 Jun 2009, 08:16
Reading a novel or other long book on line isn't even comfortable. One can't cozy up to the computer, snuggle up in an arm chair, under a blanket and get lost in the story. I'm told I have "too many" books, but I hope my children and their children will keep passing them on.
Marian
16 Jun 2009, 11:22
The first date due card I stamped was dated June 22 1944. I was 12 years old & I had hung around our small storefront branch library so often that they put me to work. In 1944 I was proud to help the war effort. I was to young to be on the payroll, but I got first choice of all new books checked in. In the 60 some years since I have worked at a number of libraries & in retirement, I try to help with the establishment of a local library here on the Marblehead peninsula. As for the books, the same basic plots appear over & over, in different settings & sometimes more "unusual" characters, but people still enjoy mystery, adventure & that ever-popular romance.
Jan Golden
16 Jun 2009, 10:30
What a wonderful read. You took me by the hand and led me through your experience as well as back through mine. I am 72, a writer and always a reader.
Susan H.
16 Jun 2009, 09:34
About to celebrate my 75th, I share many of your observations and sentiments about books. The local library was my second home as a child. The librarian, a kind French lady, encouraged me to try new authors and talk about what I read with her. She planted seeds which have grown strong. Now I write as well as read.

I, too, mistrust the idea of electronic books. Part of the smell of a book is the scent of those who have read it before you. The stain on page 38 from spilled ice cream, the folded corner where someone paused.

Thank you so much for this excursion through many years of memories.

Bonnie Netherton
15 Jun 2009, 20:52
I was thrilled to see your name appearing here! THE KIN OF ATA ARE WAITING FOR YOU is one of my all-time favorite stories. Thank you!
Grace Stewart
15 Jun 2009, 17:19
Thanks for your summary of OUR experiences, for I, too, had only library books when I was young. Now I'm spending much of my days disposing of books from my four libraries (in four different rooms of my house). I rent DVDs from the library now because my TV isn't working. But I'll never dispose of my leather-bound, parchment-papered Oxford collection of boxed classics. Just holding, sniffing, looking at these red books, purchased for $5 each, gives me immense pleasure. My son inherits them when I die.

Add a Comment

*Name:
*Email:
Your email will not be shared with others or displayed.
*Text:
Notify me about new comments on this page
 


* Indicates Required Fields
Powered by Scriptsmill Comments Script
Older women Visual art Mills College Bay Area publishing Plays Crone Wisdom Online literary magazine Nan Gefen Nan Fink Gefen Chana Bloch Martha Boesing Sandy Boucher Sandra Butler Marcia Freedman Judith Arcana Paula Gunn Allen Anita Barrows Carol Bly Jill Breckinridge Esther Broner Rosellyn Brown Eve Ensler Lillian Faderman Marilyn French Tess Gallagher Sandra Gilbert Vivien Gornick Susan Griffin Marilyn Hacker Melanie Kaye Kantrowitz Maxine Kumin Maxine Hong Kingston Jane Lazarre Deena Metzger Naomi Newman Alicia Ostriker Letty Cottin Pogrebin Martha Roth Starhawk Marilyn Yalom Susan Yankowitz Daphne Muse